My newest singing tips video gives you 3 suggestions (+ 1 bonus tip) for how to relax your tongue and get it to stay neutral while you're singing!
Two ways to gauge tongue tension are:
(1) how your voice sounds (do you sound like Kermit the Frog?)
(2) How your throat or neck feels (dull pains along your jaw or at the top of your voice box).
If you have tongue tension or a tense tongue, fear not! 3 easy triggers to get your tongue to chill include:
(1) Thinking "UH" while you sing
(2) Pretending you're drunk (not kidding)
(3) Practicing a "conversational" version of your song or warmup
And as a bonus tip? Don't make an enemy out of your tongue! As a singer, it does more harm than good to be stressed out about the body part that's causing you tension. Instead, think positively about your tongue, remember that it's just trying to help, and eventually it will learn to back off and stay out of the equation.
Ahoy there, singers!
My latest singing tips video breaks down and teaches you how to sing "Somebody to Love" by Queen! Trying to sing like Freddie Mercury can at first seem like an epic challenge, but it's my job to help you break it down and find some easy, effective strategies for approaching this song.
In this video you'll learn:
(1) How to break down the song "Somebody to Love" in stages so it's easier to sing
(2) Some key vowel and lyric modifications that are going to help you sing higher without tensing or cutting off the sound
(3) Tips for getting your head voice to be stronger, louder, more focused and powerful
(4) Tips for contrasting that head voice with a full, impressive belt sound, since belting is perfect for rock singing (like Queen)
I hope you enjoy this video! Let me know how your practice goes, or if you find these tips helpful.
This video is a sick-singer's guide to staying healthy when you're not feeling 100%. How much should you practice (or not practice) while you're sick, and how can you tell if it's the type of sickness that can support some gentle warmups?
This video is all about sick singing and how to avoid making the mistake of over singing when your sinuses are blocked or your throat isn't cooperating.
Lots of you have asked me, what's the best way to sing with a sore throat?
Unfortunately, the answer is....don't. Singing with a sore throat is a definite no-no.
Phlegm, a blocked sinus, and other symptoms have a bit more grey area, which I'll explain in the video.
And when you're bed ridden or feeling sick and you want to still practice your singing, the best way to stay in touch is to do some simple breath exercises or lip trills.
I hope this video is helpful! Don't get down on yourself when you're sick. The best thing you can do as a singer is not to attempt strained or uncomfortable "sick...
This video is a HOW TO guide for how to sing "Love Me Like You Do!"
This video recommends vowel and lyric modifications that help you place the sound, as well as focus your head voice and voice in general to maximize resonance. Altering the lyrics with new vowels, consonants, and phrases will help your wrap your mouth around the sounds. I'll also address breathiness and how to do it healthily, using the false vocal folds.
When it comes to singing and creating a signature sound, you don't manipulate the cord, you manipulate the resonant space in your face and mouth.
2. Now you can sing along to the song! I've made a karaoke track with singer-friendly lyrics (also pasted below). Enjoy!
Love Me Like You Do by Ellie Goulding
alternate lyrics for singers by Felicia Ricci
YUTHA LIED YUTHA NIGHED
YUTHA KOLERA VMAI BLAHD
YUTHA KYAH YUTHA PEIN
YUH THEEOWLY THINGAI WAHNA TOUCH
NEVANYEW THEHDID CUMEEN SUHMAHCH SUHMAHCH
YUTHA FEEYUH AHDU NKEH
I lost my voice this week, so I decided to post a "Strategy" lesson from Singing Transformation 2.0, my elite singing training program, since it's an interesting topic that I think you'll find helpful!!
**Editors Note: As of August 2017 Felicia is no longer offering Singing Transformation.**
This video answers a question I get a lot which is -- "How can I tell if I'm singing something 'right'?" Lots of singers are worried about "correct singing" and frequently feel somewhat lost when practicing alone.
The video outlines three principles, which are:
1) Singing should never feel PUSHED, FIXED, or FROZEN, or like it hurts,
2) You can always use audio and visual feedback to gauge your sound and technique (i.e. record yourself, and look in the mirror!)
and, third (and most importantly)...
3) Learn to trust yourself and embrace being self taught!
Let me know what you think of this topic... I'll be back soon with a new song breakdown video!
Hiya singer friends!
This video is all about riffs and runs, and how to achieve riffing as effortlessly as possible. You will first and foremost learn how to riff by practicing and breaking down certain patterns, but this video offers some key technical adjustments to make riffing easier.
When it comes to learning how to riff, there are a few measures you can take to ensure your voice is as agile and supported as possible, including:
(1) Practice your riffing on a narrow, non-breathy vowel for maximum control and focus
(2) Using "G" or "B" to seal your cord and make sure you're not leaking air
(3) Making "Fish lips" to minimize jaw and tongue tension and to keep your larynx neutral as you riff or run
(4) Using the "opposite cue" to ensure your breath energy and mouth/throat space doesn't collapse or tense when you're riffing down.
Try out these suggestions, and let me know if they help you learn how to riff!
My new video explains the most common reasons why singers fall or sing flat (beneath pitch) which breaks down to: (1) Not enough breath support, or, more commonly, (2) not enough space in the face and mouth to allow the pitch to resonate.
Staying on pitch for singing requires also that you anticipate jumps in notes, like ascending intervals, and it's important to get your "landing gear" out and ready BEFORE you land (sing a note).
If you've been told you have "pitch problems," don't worry. Learning how to stay on pitch is simpler than you think. Learning how not to sing flat takes some practice so your cords have more control, but it also is a mental process. And the more you can utilize these mental cues, the better pitch you will have!
Hope this video is helpful!
My latest singing tips video is all about how to find a singing voice that is uniquely "yours." It offers my top 3 tips for doing so...some of which might surprise you!
1) Pay attention to the natural variation in "color" (or resonance, or tone) when you speak in the day-to-day. Become aware of all the variations that are possible, and what kind of emotional intention or context usually prompts them.
2) Start by imitating! This one might be a bit controversial, but even the seemingly most original singers had influences that turned to inspiration, that eventually led to their creating their own sound.
3) Don't be afraid to be weird and look silly! Get rid of those blocks of what you're "supposed" to sound like will allow you to experiment more freely, which will unlock tones you didn't know were possible.
What do you think about this topic? Don't forget to leave me a comment! xo Fel
I'm back with a brand new video!
This one answers top questions asked by you guys! Those of you who took my singer survey asked me quite often about my own experience singing and other more "personal" questions. I realized that while you may have gotten to know me through my singing lessons, courses and YouTube channel, you might still be curious about the Fel on the other side of the camera!
This video is a big departure from me, but I figured I'd give it a shot. Let me know if you'd like more videos like this or if you'll pass in the future :)
In this video I answer the questions:
(1) When did you start singing, and was it natural for you?
(2) Were you always this self-confident on camera, and in life?
(3) What drives you to be a voice finder?
In the video I also mention my nonfiction book UNNATURALLY GREEN, which chronicles the time I was in the musical Wicked, and you can learn more about it here: http://www.UnnaturallyGreen.com.
Lots of love,
My latest video addresses voice classification, or voice part (soprano, alto, tenor, bass) and answers a common question I get from singers, which is: what's my voice classification, and does it matter?
Basically, it doesn't really matter. Voice classification describes the thickness of your vocal folds. Sopranos and tenors are born with thinner folds, while altos, baritones, and basses are born with thicker vocal folds. This means you are naturally predisposed to sing higher (in the case of tenors and sopranos) or lower (altos, baritones, basses), and you can usually tell which voice part you are based on the natural tone of your speaking voice.
Check it out!
What I want to stress in this video is that your voice classification is a starting guide. It's like saying: "I have long legs." It describes your body and the way you were born, but it does not determine your ultimate range or what you will be able to sing in your career as a singer. It may describe what is...